For years my favorite book for teaching Botanical painting has been, Botanical Illustration Course with The Eden Project, by Rosie Martin and Meriel Thurstan. The ease of following the book’s guidelines, the abundant illustrations, and demonstrations have made it my go-to textbook. Sadly, I have just found that it is no longer in print and will soon be very difficult to get.
Barnes and Noble found two copies for me. Amazon still has a number of them available in new, used and hardcover. British bookseller, The Book Depository also has some copies available. Get one while you still can. It’s a great book for methods and materials of botanical watercolor painting in a simplified and easy to follow format. Currently, I am in the process of finding a substitute that will work in its place. In the meantime, I’ll keep using it until all available copies are gone.
One of my dreams has been to visit The Eden Project in Cornwall in the U.K. with a group of botanical artists. From all accounts it is truly a remarkable place. The amazing story as told on the website is of the transformation of an abandoned porcelain quarry repurposed to provide habitat for an array of plants from all over the planet. Biosphere domes shelter the plants in two basic climates: rainforest and Mediterranean.
Along with the plant life, The Eden Project provides educational opportunities for all ages in wide ranging topics from gardening tips to university degrees in subjects such as Horticulture, Land and Ecological Restoration and Sustainable Tourism. Many recreational opportunities are also available. You can opt for a Zip wire adventure, a visit to the Myth and Folklore garden where you might encounter a fairy or two, or spend time taking in the scents from the perfume garden. Concerts and festivals are held frequently throughout the summer months. A trip to The Eden Project includes lots activities for the kids and even an adventure for you and your dog.
Someday I may make it to The Eden Project. If you are fortunate enough to go, please share your adventure with me. I’d love to hear about it. In the meantime, happy painting!
In the ongoing process of making a better rose, at least in painting one, new tools are always being sought, tried and incorporated into the technique. Art supply stores are the garden where new tools are harvested. On one particular scouting expedition, I was overjoyed at what I thought would be a wonderful new tool for streamlining the under-drawing portion of the painting.
My favorite method of painting flowers is based on one of the techniques outlined in Botanical Illustration Course with The Eden Project. In this technique, a complete pencil drawing is made that can be used as part of the layers of paint-washes speeding up the time to the finished piece. I have experimented with different pencils and mark making applications and have come to a place where I am happy with that process. But I still find it necessary to use a white eraser until I get the shading where I want it. (More on erasers in another post.) Occasionally, I’ll use the eraser to clean up the edges, as well.
While perusing the feast of erasers at the art supply store, my eyes hit on a battery operated power eraser complete with white eraser inserts. My heart jumped with excitement imagining faster and more productive painting. I couldn’t wait to get home to try it out. As soon as I got home, I pulled out watercolor paper and started what would be a red rose. The eraser worked so well, I used it more. I became almost careless with the drawing because I could clean it up so much more quickly. And then my newfound excitement began to shrink.
The first thing I noticed was the paint was pooling up and not spreading smoothly. As it dried, I started to see splotching. As the painting progressed, it became evident that the eraser had erased large portions of the “tooth” of the paper. This particular tool would not be as useful as I thought. It would be great in drawings not intended for painting, but would not be helpful in making an under-painting drawing. It’s back to the drawing board to start over.
Moral to this story: there is just no substitution for good drawing.
Follow the link here for more on The Eden Project.